Enzo Marra’s practice successfully brings together a painterly interest in the haptic qualities of paint and canvas with a cartoonish and idiosyncratic vocabulary. While thoroughly contemporary, Marra’s style, subject matter, and technique recalls the tension between figuration and abstraction, heavy texture, and irreverent iconology of Phillip Guston’s postwar work. Indeed, Marra’s work has a further connection to that of Guston, much of his oeuvre functions as a critique of present-day culture and society.