OLEG TSELKOV : A Virtual Exhibition
Oleg Tselkov
B. 1934 Moscow, Russia D. 2021 Paris, France
After his expulsion in 1954 from the Minsk Institute of Art and Theater (for ideological reasons) and the Repin Institute of Art, Sculpture and Architecture in 1955, Tselkov joined the Leningrad Theater Institute, where his mentor was N. Akimov. In 1958, he graduated with a diploma of stage artistry and technology. Then moving to Moscow, he became engrossed in painting rather than working in theatre.
His first personal exhibit took place in 1965 at the Kurchatov Institute of Nuclear Physics in Moscow. Although Tselkov’s works were not displayed at official exhibits in the USSR, foreign buyers, along with his immigrant friends, smuggled his works and often exhibited them abroad.
Since 1960, Tselkov developed a powerful theme in his art, namely the images of deformed human faces and bodies reminiscent of sinister masks or anthropomorphic mutants. His portraits are an original response to the new formal methods of the Severe Style. The distinctive features of his painting are “stereotypity”, large scales, and bright aniline colors. His art was influenced by modern primitivism and the late works of Malevich.
In 1977 Tselkov and his wife left the USSR and established themselves in Paris, where they have been living and working ever since. From 1980-1990 Tselkov enhanced the hues of his painting, enveloping the figures in a nebulous haze, and often expanding the canvases to the size of wall panels.
In 2004, a solo exhibition was held for Tselkov at the Russian Museum and the State Tretyakov Gallery. His works are in: State Pushkin Museum of Fine Arts (Moscow); State Tretyakov Gallery (Moscow); State Russian Museum (St. Petersburg); Moscow Museum of Contemporary Art (Moscow); Stedelijk Museum (Amsterdam, the Netherlands) Ulster Museum (Belfast, UK); Duke University Museum of Art, (Durham, North Carolina, USA); Yokohama Art Museum (Yokohama, Japan); Jane Voorhees Zimmerli Art Museum, Norton and Nancy Dodge Collection, Rutgers University (New Brunswick, New Jersey, USA); Kolodzei Art Foundation, (Highland Park, New Jersey, USA); Yevgeny Nutovich Collection (Moscow); Valery Dudakov and Marina Kashuro Collection (Moscow); Bar-Gera Collection (Germany-Israel); Jean-Jacques Geron collection (Paris, France).
B. 1934 Moscow, Russia D. 2021 Paris, France
After his expulsion in 1954 from the Minsk Institute of Art and Theater (for ideological reasons) and the Repin Institute of Art, Sculpture and Architecture in 1955, Tselkov joined the Leningrad Theater Institute, where his mentor was N. Akimov. In 1958, he graduated with a diploma of stage artistry and technology. Then moving to Moscow, he became engrossed in painting rather than working in theatre.
His first personal exhibit took place in 1965 at the Kurchatov Institute of Nuclear Physics in Moscow. Although Tselkov’s works were not displayed at official exhibits in the USSR, foreign buyers, along with his immigrant friends, smuggled his works and often exhibited them abroad.
Since 1960, Tselkov developed a powerful theme in his art, namely the images of deformed human faces and bodies reminiscent of sinister masks or anthropomorphic mutants. His portraits are an original response to the new formal methods of the Severe Style. The distinctive features of his painting are “stereotypity”, large scales, and bright aniline colors. His art was influenced by modern primitivism and the late works of Malevich.
In 1977 Tselkov and his wife left the USSR and established themselves in Paris, where they have been living and working ever since. From 1980-1990 Tselkov enhanced the hues of his painting, enveloping the figures in a nebulous haze, and often expanding the canvases to the size of wall panels.
In 2004, a solo exhibition was held for Tselkov at the Russian Museum and the State Tretyakov Gallery. His works are in: State Pushkin Museum of Fine Arts (Moscow); State Tretyakov Gallery (Moscow); State Russian Museum (St. Petersburg); Moscow Museum of Contemporary Art (Moscow); Stedelijk Museum (Amsterdam, the Netherlands) Ulster Museum (Belfast, UK); Duke University Museum of Art, (Durham, North Carolina, USA); Yokohama Art Museum (Yokohama, Japan); Jane Voorhees Zimmerli Art Museum, Norton and Nancy Dodge Collection, Rutgers University (New Brunswick, New Jersey, USA); Kolodzei Art Foundation, (Highland Park, New Jersey, USA); Yevgeny Nutovich Collection (Moscow); Valery Dudakov and Marina Kashuro Collection (Moscow); Bar-Gera Collection (Germany-Israel); Jean-Jacques Geron collection (Paris, France).
