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featured 3D exhibitions

Sakshi Gallery

ALL IS NOT LOST 20:20:20 - curated by Saloni Doshi

08 Oct 2020 – 28 Nov 2020

Flutter me Shutterz

Silhouettes around the World

18 Oct 2020 – 22 Nov 2020

Featuring photographers around the world who were involved in the October, 2020 Flutter me Shutterz “Silhouettes” photography challenge on Instagram. With this challenge, participants spread awareness for Clubhouse International, a global nonprofit organization offering support and opportunities for recovery to people living with mental illness.

Richard Granville-Smith

Caterva

16 Oct 2020 – 18 Oct 2021

Universidad Autónoma de Coahuila

Alfredo De Stéfano: Todos los desiertos son mi desierto

23 Oct 2020 – 23 Nov 2020

El pulso del cielo y de todos los desiertos de este mundo, lo escucha sólo —desde la contemplación— quien ha sido tocado por el fuego y el agua. De ahí, inmortalizar lo que se admira, lo que sobre pasa. Entonces, a través de un idioma nuevo que se gesta en cada punto cardinal del planeta, Alfredo de Stéfano, El Gran Observador, interviene la Tierra con la naturalidad de signos y símbolos. Como el círculo, la forma de su planeta amado; línea que no tiene fin y, a la vez, en esa búsqueda infinita, algo concluye perpetuamente. De Stéfano eleva un diálogo con cada trazo en el desierto a través de luces o lenguas del fuego —mas lo que resplandece es su deseo—. Es una forma de responder a la luminosidad de las estrellas y a los distintos colores del crepúsculo. Alfredo preserva las formas suaves del cuerpo del desierto que, por milenios, ha recibido la fortuna del sol y lluvia en solitude. De Stéfano da cuenta de las auroras con los trazos del poeta que es. Dialoga con los atardeceres y con la noche: dispone luciérnagas metálicas —otra especie de fuego—. En el registro de su silencioso andar, nos muestra sus distintas pieles de la roca y de la piedra. Nos muestra el hielo y la nube. Por él, nos crece en la mirada y en el cuerpo ese amarillo, ese verde, ese rojo que es la Historia, o ese negro que no es más que la soledad necesaria. Nos crece, cuando observamos la obra de Alfredo, la luz de un árbol de fuego. Nos vestimos con las ropas de mujeres y de los muertos. Nos crece ese deseo escarlata que los profetas toman y halan de un lado hacia otro —nuestra esencia humana—. La obra de Alfredo muestra la única pureza válida, la que proviene de la naturaleza. Coloca pedazos de él mismo a través de metáforas, y parece que le escuchamos decir: Esto soy gracias a ti. Te escucho, te leo. En ese instante, prolonga el cielo en la tierra, o muestra un corte para que apreciemos la belleza de lo etéreo y lo sólido. De Stefano, desde el despojo de sí mismo, nos comparte la libertad de los seres que lo son al recorrer el desierto: mujeres, hombres y seres animales; profetas que, sabiamente, desaparecen algunas veces para que el desierto que es la vida, sea. Mercedes Luna _________________________ Alfredo De Stéfano Farías Es considerado uno de los fotógrafos conceptuales contemporáneos más importantes de México. Su pasión es el paisaje y específicamente el del desierto, panorama que ha recorrido infinidad de veces fotografiándolo e interviniéndolo. Entre sus series fotográficas destacan De parajes sin futuro (1992), Vestigios del paraíso (1996), Habitar el vacío (2002) y Breve crónica de luz (2006). Desde el 2008 trabaja en su nueva serie, Tormenta de luz y que se desarrolla en diferentes desiertos del mundo. En su haber se encuentran mas de noventa exposiciones, entre individuales y colectivas, y su trabajo se ha expuesto en los cinco continentes, así como en diferentes capitales del mundo como: México, París, Sao Paulo, Nueva York, Washington, Madrid, Bogotá, Lima, Buenos Aires entre otras. Sus fotografías han aparecido en numerosos libros y revistas y su obra se encuentra en colecciones publicas y privadas de México y el extranjero. Desde el 2008 es miembro del Sistema Nacional de Creadores. Gestor cultural y director del Concurso de Fotografía Contemporánea de México y el de Latinoamérica, así como del Festival Internacional de Fotografía Luz del Norte en Monterrey, N.L. Jurado en concursos internacionales como Vogue Italia, Verzasca Foto Festival en Suiza, Burn- Emerging Photographer Fund, Paises Bajos y AI-AP Latin American, New York. Visionador de Portafolios en los Festivales PHOTON, Valencia he IMAGO, Lisboa. Nominator para el 6x6 Global Talent Program / World Press Photo. Dirige y fundó la organización sin fines de lucro Luz del Norte Fotografía, A.C. dedicada a promover y difundir la diversidad de la fotografía latinoamericana a través de variadas plataformas. LINKS: www.adestefano.com FACEBOOK: Alfredo De Stefano INSTAGRAM: alfredo_de_stefano_art INSTAGRAM: luz.del.norte _________________________ CURADURÍA Alfredo De Stéfano Silicio X Multidiseño MUSEOGRAFÍA Silicio X Multidiseño www.siliciox.net FACEBOOK: siliciox.multidiseno

NEPEA | GPEACC

Emanoel Nascimento

Curadoria: Prof. Dr. Fábio Rodrigues Assistente de curadoria: Caleb Costa Emanoel do Nascimento Alves (1985), nasceu na cidade de Juazeiro do Norte – Ceará, onde vive, estuda e trabalha. Muito jovem iniciou seus estudos no desenho e na pintura, ao ingressar em cursos oferecidos por artistas locais da cidade. Foram nesses cursos onde aprendeu a desenhar e pintar e mais tarde veio a se tornar um instrutor. Em todas as cidades, distritos e comunidades mais afastadas da região do cariri cearense, existem artistas que tiveram e têm até hoje importância singular na formação de jovens que, desde muito cedo, aprendem a desenhar, pintar, esculpir na madeira e na pedra, a modelar no barro, no gesso e com outros materiais. Nesses lugares, foram se constituindo escolas de saberes artísticos e nomes foram se tornando referencialidades que até hoje constituem a história da arte local, que se soma a história da arte da região do cariri e fazem parte da história da arte universal, se consideramos que cada cultura possui sua história da arte. Claro que o projeto imperial/colonial e a colonialidade do poder, do saber e do ser, foram impondo um conceito universalizante de história da arte, contribuindo assim para que a colonialidade e seu projeto educativo tenham nos imposto aprender sobre a história da arte, geograficamente delimitada, de alguns países que constituem o continente europeu. Na cidade de Juazeiro do Norte, no Ceará, podemos dizer que as escolas da tradição permanecem vivas e muitos jovens, adultos e idosos passam por essas escolas. Hoje algumas/alguns artistas-professoras(es) dessas escolas e suas(eus) estudantes têm ingressado no Curso de Licenciatura em Artes Visuais do Centro de Artes da Universidade Regional do Cariri – URCA. Emanoel Nascimento é um representante dessa geração que ingressou na universidade sem perder suas referencialidades e aprendizagens, no desenho e na pintura, adquiridas com o artista-professor Francisco Amorim. Em sua formação anterior, a universidade conheceu dona Assunção Gonçalves (1916-2013), artista-professora que integra a história da escola da tradição da cidade. Nomes como Mestre Noza (1897-1984) e Luiz Karimai (1947-2010), foram responsáveis pela formação estético/artística de muitas gerações. O artista-professor Petrônio Alencar (1978), com seus cursos de desenho e pintura, é um testemunho da continuidade dessa escola da tradição em Juazeiro do Norte. A exposição Emanoel Nascimento traz um panorama de sua prática artística com forte centralidade nas encomendas. A prática da encomenda caminha na cidade de Juazeiro do Norte lado a lado com a escola da tradição. Muitas são as pessoas da cidade e de fora que encomendam pinturas, desenhos, esculturas em madeira, esculturas em gesso. As encomendas fazem com que essas(es) artistas atendam demandas que vão da pintura sobre tela, de imagens da história da arte consagrada, legitimada pelo imaginário popular, até as pinturas murais nos painéis em paredes de escolas e estabelecimentos comerciais. Na cidade de Juazeiro do Norte, encontramos nos escritórios, consultórios, agências de viagem, lojas e em casas de particulares, verdadeiros acervos de pinturas, desenhos, xilogravuras e esculturas, tanto das(os) artistas-professoras(es) como de suas(eus) ex-alunas(os), como é o caso do artista-professor Emanoel Nascimento.

Mexican Cultural Institute DC

A Mexican Portrait, by Martha Gabriela Driessen

23 Oct 2020 – 13 Feb 2021

Note: Kindly use Chrome or Firefox to enhance your virtual experience! Women carrying flowers, men and musical instruments, children playing in cemeteries, shoe shiners, hat sellers, traditional dresses and happenstance from everyday life. This is Martha Driessen’s “Mexican Portrait”. The exhibition is a collection of carefully crafted black and white images from Driessen’s most recent work in Mexico. In the style of street photography, the exhibition explores the identity of Mexican people through candid moments of their everyday life. From a scene in a small town in Oaxaca to a detail of the streets in Mexico City, an intimate fleeting moment or an exhilarating gesture; the photographs highlight serendipity and idiosyncrasies that are familiar but not obvious. Driessen’s photographs evoke empathy and warmth in the Mexican culture, often revealing the complicity between the photographer and her subjects. The work does not describe a place or explain a culture, rather, it provides a space for the ordinary and the conventional as it is precisely those moments that, collectively, make life extraordinary. All images are archival pigment prints printed by the artist. *** Martha Gabriela Driessen was born and raised in Mexico City and has lived in the United States half of her life. Bilingual and bicultural, Driessen has maintained deep roots in her native Mexico and strong ties with her people. In her recent work, she explores the identity and idiosyncrasies of her fellow Mexicans on both sides of the border. Driessen photographs candid moments of everyday life on the streets around the world, often under the mentorship of Magnum photographer, Nikos Economopoulos. At home, she shares a studio with Minneapolis photographer Tom Arndt, a strong influence in her work. Driessen has participated in juried shows and solo exhibitions most recently in Singapore and South Africa. Her work is in private collections as well as in the permanent collections of the Minneapolis Institute of Art, the National Museum of Mexican Art in Chicago, UNISA Gallery at the University of South Africa in Pretoria, and the Minnesota History Center. Statement: “Defined by the marriage of two cultures, my work is inspired by my Mexican essence, my American reality and the simplicity of life. My work is a collection of images in which perfection can be found in imperfection; where the nuances come forward to highlight the beauty of everyday life.” – Martha Gabriela Driessen Presented by the Embassy of Mexico in the United States and the Mexican Cultural Institute DC

Laurie Shapiro

Available Mixed Media Paintings

19 Oct 2020 – 20 Nov 2020

Westival Gallery

Westival Virtual Gallery 2020

21 Oct 2020 – 21 Nov 2020

Over the course of this novel year of 2020. In the presence of coronavirus. we have all experienced our world in new ways. A halt perhaps to our wandering but no less wanderlust has created new appreciation for our back gardens, byroads and those in our community that helped us through these difficult times. This year artists were asked to submit work that responded to the following quote "We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time." T. S. Eliot Four Quartets- 1955. Our three judges have selected the works of over 90 artists from a record number of applications to the Open Call. Thought-provoking and impressive in equal measure, this exhibition is a must-see. The theme proved a generous, many-headed muse, with artists responding in a huge variety of ways and presenting a multiplicity of creative interpretations. Our three judges Westival Visual Curator Vincent O’Donoghue, Martina Hamilton, Director of the Hamilton Gallery Sligo. Áine Phillips, West of Ireland visual artist and academic.

Stones and Gems

Design by Jehova

21 Oct 2020 – 21 Nov 2020

Alle Bilder sind bearbeitete Fotos von wunderschönen Mineralien, Edelsteinen und Rohsteinen. Genauso, wie sie in der Natur vorkommen. Von einem großartigen Schöpfer erschaffen, zu meiner Freude.

Jürgen Lay

Digitalart von Kunsthaus-Lay 2020

Bildbearbeitung / Konzeptkunst / Fotokunst / Digitalekunst / Kritische Kunst

Arts Project Australia

Fervent Repose

22 Oct 2020 – 29 Oct 2020

Highly resolved and beautifully composed, George Aristovoulou’s carefully segmented picture planes are filled with heavily rendered swatches of dense colour. The abstract fields of patterning seamlessly blend together, lending a dream-like quality to the meticulously constructed imagery. In his current exhibition Fervant Repose, Aristovoulou creates fantastical, vibrant drawings that generate impact with their dense, smudged workings. His practice manifests a flourish of visual energies melded with a somewhat tranquil quality; a complex combination. The works in this exhibition seem to capture a balance; the serene wildness seen and felt in nature. They demonstrate the pulsating energy of the natural world - that feeling that leaves us indebted and in awe. George Aristovoulou (b 1981, Melbourne) is an emerging artist who has worked in the Arts Project studio since 2011 and has exhibited in numerous group exhibitions including Melbourne Art Fair, Arts Centre Melbourne, Latrobe University, and Bundoora Homestead Art Centre in Melbourne. His work is held in private collections throughout Australia.

Ralph Oehlmann

Wunderwelten

24 Oct 2020 – 15 Nov 2020

Zur Vernissage „Wunderwelten“ von Ralph Oehlmann 24.10.- 15.11.2020 Haben Sie heute schon gestaunt? Wunderwelten - ein Titel, der darauf aufmerksam machen möchte, wie wunderbar die Dinge sind und wie oft diese Wunder unserer Aufmerksamkeit entgehen. Vom kleinsten Schmetterling über mächtige Berge oder unscheinbare geometrische Formen, bis hin zu seltsamen Lichtgebilden aus fernen Galaxien. All dies scheint manchmal unerreichbar … und könnte uns doch berühren. Unternehmen Sie einen gemütlichen Spaziergang, ohne Maske und Gedränge, und - wenn Sie mögen - mit einem Glas Wein in der Hand. Digitale Fotografie auch digital auszustellen erscheint nur folgerichtig – nicht nur in Zeiten von Corona! Tipp: Klicken Sie einfach auf [geführte Tour] – oder wenn Sie es anders möchten, mit der Maus auf ein Bild bzw. auf die Pfeile rechts unten im Bild, um sich durch die Ausstellungshalle zu bewegen. Sie können auch die linke Maustaste gedrückt halten und dann die Maus auf dem Bildschirm bewegen. Verwenden Sie in der Detailansicht Ihr Scroll-Rad um das Bild zu vergrößern.

Muzej književnosti i pozorišne umjetnosti BiH

LAURA PAPO BOHORETA - SEFARDSKA ŽENA U BOSNI

23 Oct 2020 – 23 Nov 2020

Muzej književnosti i pozorišne umjetnosti BiH u junu 2017. godine predstavio je izložbu "Laura Papo Bohoreta - Sefardska žena u Bosni", posvećene životu i djelu Laure Papo Bohorete. Autorica izložbe je viša kustosica Tamara Sarajlić-Slavnić, dok je dizajn napravio Branko Dursum. Autorica Tamara Sarajlić-Slavnić u predgovoru kataloga izložbe je napisala: Laura Papo Bohoreta, pravim imenom Luna, kćerka Jude i Estere Levi, rođena je u Sarajevu 1891. godine. Krajem 19. i početkom 20. vijeka živjela je u Carigradu, gdje se preselila cijela njena porodica. Kasnije je učila francuski jezik u Parizu, na Alliance Français. Godine 1911. udala se u Sarajevu za Danijela Papu i rodila dva sina, Leona i Bar Kobhu Kokija. Početkom Drugog svjetskog rata obojica su ubijeni na putu prema logoru u Jasenovcu. Taj period predstavlja, nažalost, i kraj djelovanja Laure Papo. Bila je književnica i poslovna žena. Napisala je veći broj književnih djela na francuskom, njemačkom i bosanskom jeziku, a kasnije je pisala isključivo na jevrejsko-španskom. Glavni životni cilj joj je bio očuvanje sefardske tradicije i pobijanje tadašnjih društvenih stereotipa, koji ženama nisu omogućavali jači prodor u društvo. Već u najranijoj dobi stekla je svijest o društvenim nepravdama. Pisala je pozorišne komade, rasprave o prošlosti sefardske žene u Bosni, kratke priče iz sefardskog života, prevodila pjesnike – i sama je pisala poeziju. Iako se rijetko u jednoj osobi kriju toliki talenti, prilično nepoznata i u rodnoj Bosni. Za nju je poznati jevrejski filolog i kritičar Kalmi Baruh rekao: „Ona je tako reći ostala anonimna“. Bohoreta je iza sebe ostavila i jedno djelo po kojem bi – da ništa drugo nije napisala – ostala zapamćena, a to je knjiga Sefardska žena u Bosni, koja dugo nije bilo štampana, a svjetlo dana konačno ugledala u sarajevskoj izdavačkoj kući Connectum 2005. godine, u prevodu prof.dr . (Muhameda Nezirovića. Ova Sarajka u mladosti je strastveno sakupljala sefardske romanse svoje Bosne. Laura Papo Bohoreta razboljela se nakon što su joj sinovi ubijeni. Zna se da je umrla u Sarajevu 1942. godine, u Bolnici sestara milosrdnica. Međutim, ta bolnica, po pričama, sjećanjima i svjedočanstvima jednog broja časnih sestara milosrdnica koje još žive i rade u Sarajevu, uopšte nije postojala u Sarajevu, mada u drugim gradovima jeste. Postojao je dio današnjeg Kliničkog centra Koševo gdje su živjele sestre milosrdnice: to je zgrada stare ortopedije. Može biti da su je tu sestre milosrdnice krile i da je tu i umrla. Misterija ostaje i njeno grobno mjesto na starom Jevrejskom groblju u Sarajevu: zna se da je tamo sahranjena, ali ne postoji nadgrobna ploča s njenim imenom, što govori da je možda pokopana pod nekim drugim imenom. Po riječima njene sestrične Gordane Kujić, „njen grob je uništen. Ostali su samo njeni rukopisi“.

Anaxi Fine Art

Modern & Post-war Art

Mendocino Art Center

Esther Siegel

Esther Siegel Esther Siegel's “late in life artist” emerged from the scrapbooking world. From there she expanded to unique greeting cards and into ‘found art’ sculptures. Her pieces are a mixture of the whimsical and dark humor. They include Book-Mobiles & Book Art, Twisted Toasters (vintage toasters as the base), Horse People (horse/doll combo), fun repurposed sculptures, small lamps and Altered Barbies. She describes her creative process as sometimes very slow and frustrating, going through many variations on a theme before settling on the finished piece.

Museikon

Image and story. Szűcsné Novák Mária

19 Oct 2020 – 28 Feb 2021

Expoziție de smalțuri a artistei Szűcsné Novák Mária (Ungaria), inspirată de versurile Bibliei în traducerea lui Károli Gáspár. “Fire enamel picture exhibition by the artist Szűcsné Novák Mária (Hungary), inspired by the text of the Bible in the Hungarian translation by Gáspár Károli.” “Szűcsné Novák Mária festőművész tűzzománc kiállítása (Magyarország), amit a Károli Gáspár által fordított Biblia szövege ihletett.”

Gregory Allicar Museum of Art

Women's Textiles Across Africa: The Symbolic and the Practical

09 Oct 2020 – 19 Dec 2020

Across the African continent women are integral members of their communities, contributing as leaders, artists, entrepreneurs, and spiritual guides. While historically charged narratives led to misunderstood, romanticized, and stereotyped perspectives of African women through Western lenses, revised approaches toward understanding the role of women across the continent are presenting new inclusive dialogs. This exhibit will re-introduce visitors to a broad view of women’s lives across the African continent by highlighting a selection of textiles designed, crafted, and worn by women to celebrate their status, identity, wealth, and role in maintaining equilibrium in African societies. This exhibition was curated by CSU LEAP Institute for the Arts intern Abby Rose under the supervision of Dr. David Riep, Associate Professor and Area Coordinator, Art History, Department of Art and Art History, and Associate Curator of African Art. Support for this project is generously provided by Colorado Creative Industries and by the FUNd Endowment at CSU.

Afnakafna

Realismo & dintorni

16 Oct 2020 – 06 Nov 2020

“L’Arte non riproduce ciò che è visibile, ma rende visibile ciò che non sempre lo è.”Paul Klee La realtà ha bisogno dell’immaginazione per essere raggiunta oltre il velo della nostra esperienza sensibile. Afnakafna invita, dal 16 ottobre al 6 novembre 2020, alla mostra collettiva “Realismo e dintorni” a cura di Antonella Caraceni, con le opere di 9 artisti che hanno interpretato e riprodotto, ciascuno con una poetica propria e del tutto personale, il volto segreto del reale. Il mondo della realtà oggettiva è forse nascosto dietro un velo impalpabile. L’Arte ha la capacità di interpretarlo offrendoci una chiave di Verità.

R Gallery

POSSIBLE IMPOSSIBILITIES

13 Oct 2020 – 24 Oct 2020

As human beings, we are bound to our limitations. Some things are impossible for us to do. However, these limitations are breakable and surmountable for the artists. Through the power of their imagination, they can produce incredible works. It may seem unimaginable for others, but their creative minds made it possible to infuse limitless potentials and create a masterpiece. On this show, these artists will present artworks that are created beautifully beyond imagination and creativity. Join us and let us all witness how they showcase these impossible creations!

Artelier4D.com

Lucia Ruggieri


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