Dermot Browne: THE BEAUTY OF EVERYDAY THINGS
Soetsu Yanagi’s (1889-1961) collection of essays on Japanese Folk Craft of the same title serves as the frame for what is an exhibition of one painter's exploration of form and formlessness, colour and light.
“The association here with painting-as-craft is a Conscious one, but not in the sense that it says “look at the skill involved”, but rather that the works are made by hand and eye. In an age of N.F.T’s and digital culture, is painting even relevant anymore? The answer as you can imagine is that it is relevant if we invest meaning and looking into it.”
“The association here with painting-as-craft is a Conscious one, but not in the sense that it says “look at the skill involved”, but rather that the works are made by hand and eye. In an age of N.F.T’s and digital culture, is painting even relevant anymore? The answer as you can imagine is that it is relevant if we invest meaning and looking into it.”
