Anaglyph Exhibition
A STEREOSCOPIC JOURNEY INTO BAHRAIN’S SOUL
After over two decades behind the lens, I’m still drawn to images that ask you to slow down and look twice. From the beginning, I’ve been captivated by the magic of stereoscopic photography and its layered nostalgia, dimensional depth, and immersive pull.
Anaglyph is a series of stereoscopic images — a personal reflection and a visual dialogue with the island that adopted me: it’s about Bahrain.
This isn’t a documentation, but a translation — an attempt to capture the feeling of waking here, walking these shores, and soaking in the eternal sunshine. If these images offer even a glimmer of what this island has given me then I’ve shared something real, I’ve shared a piece of my heart.
GEORGE RAPHEL
After over two decades behind the lens, I’m still drawn to images that ask you to slow down and look twice. From the beginning, I’ve been captivated by the magic of stereoscopic photography and its layered nostalgia, dimensional depth, and immersive pull.
Anaglyph is a series of stereoscopic images — a personal reflection and a visual dialogue with the island that adopted me: it’s about Bahrain.
This isn’t a documentation, but a translation — an attempt to capture the feeling of waking here, walking these shores, and soaking in the eternal sunshine. If these images offer even a glimmer of what this island has given me then I’ve shared something real, I’ve shared a piece of my heart.
GEORGE RAPHEL
