A Study in Blue by PASQUIER

Painting is made of dualities, which are both antagonistic and connivent: the light and shade, closeness and remoteness, inside and outside… Pasquier’s works are like that, with a dialogue between the sky and the water for instance, or the sea and the sand or the leaves and the sun.

There are two main areas of chromatic sensitivity in Pasquier: on the one hand, there is the sentimental blue, the blue of liberty in a free space, the blue of the sea, of the infinite in the light; and on the other hand, obviously a much more tectonic reference, there are the colors of the earth, the different shades of ochre, orange, black, which tangibly represent the idea of the rooting of the vital impulse in the created form.

Pasquier loves life, he loves it like a primordial and essential reference which motivates and justifies the extent of his creative vigor.
Pasquier’s gesture is the signature of his love for life.