FREDY ESCOBAR VEGA Bajo la Primera Ola: Dibujos / Under The First Wave: Drawings
Este conjunto de obras realizadas con lápices de color sobre papel tiene la finalidad de peraltar la sensualidad como parte del principio del placer en la sempiterna lucha contra los valores establecidos y su poder de censura y etiquetamiento, el quiebre o burla de la censura que el artista logra durante la historia de la "represión" como praxis necesaria. Sin esa profunda rebeldía a lo dado y aceptado, durante toda la historia del arte, estaríamos en una sociedad estática, que se repite o reproduce por medio de la reproducción cultural de sus sujetos. Romper el eterno retorno de lo mismo es la suprema misión del artista.
Fredy Escobar Vega, de multifacéticas tareas y estudios, comprometido con la problemática social y la equidad económica, no pinta ideas sino existencia.
In this group of drawings executed with color pencils on paper I intend to showcase sensuality as part of the principle of pleasure in the never-ending struggle with the established values and their power of censorship and branding, and the break and mockery of censorship as a necessary praxis which the artists have performed during the long history of “repression”. Without this profound rebellion against what is taken for granted and accepted, we would fall into a static society, a society that repeats itself or reproduces through the cultural reproduction of its subjects. To break with the eternal return of the same is the supreme mission of the artist.
Fredy Escobar Vega, of multifaceted activities and studies, is compromised with social struggles and economic equity. He does not paint ideas but existence.
Fredy Escobar Vega, de multifacéticas tareas y estudios, comprometido con la problemática social y la equidad económica, no pinta ideas sino existencia.
In this group of drawings executed with color pencils on paper I intend to showcase sensuality as part of the principle of pleasure in the never-ending struggle with the established values and their power of censorship and branding, and the break and mockery of censorship as a necessary praxis which the artists have performed during the long history of “repression”. Without this profound rebellion against what is taken for granted and accepted, we would fall into a static society, a society that repeats itself or reproduces through the cultural reproduction of its subjects. To break with the eternal return of the same is the supreme mission of the artist.
Fredy Escobar Vega, of multifaceted activities and studies, is compromised with social struggles and economic equity. He does not paint ideas but existence.
