What is an image? | selected works | art.spaces

Francesco De Gallo

FL0W3RS, 2022

100 x 178.8 cm (h x w)

Blender & TouchDesigner

Libby Paloma

Chingona AKA Libby, 2017

h = 28 inch

Photo Assemblage

Libby Paloma

Margarita AKA Cookie, 2017

h = 31 inch

Photo Assemblages

Libby Paloma

Familia, 2018

h = 33 inch

Photo Assemblages

Libby Paloma

Arturo AKA Sonny, 2018

h = 30 inch

Photo Assemblage

Libby Paloma

Nacho AKA Paloma, 2017

h = 28 inch

Photo Assemblage

Ryan Page

Pressing My Ear Against The Fourth Wall, 2022

w = 85 cm

Patch Creation

A. P. Vague

Film 78b, 2022

61 x 84 cm (h x w)

Digital imaging

Alexa Vachon

Jasko Fide 20210218, 2021

100 x 66.7 x 0.5 cm (h x w x d)

2D Disrupted Photography

Alexa Vachon

Layana 20210228, 2021

66.1 x 100 x 0.5 cm (h x w x d)

2D Disrupted Photography

Alexa Vachon

Bishop Black 20210327, 2021

100 x 66 x 0.5 cm (h x w x d)

2D Disrupted Photography

Alexa Vachon

Ivanka Tramp & layton lachman 20210328, 2021

67.3 x 100 x 0.5 cm (h x w x d)

2D Disrupted Photography

Alexa Vachon

Nadja 20210403, 2021

100 x 66.5 x 0.5 cm (h x w x d)

2D Disrupted Photography

Andrea Illés

IF_I_HAD_LET_ME, 2022

w = 70, d = 0.5 cm

Digital Video

Gary McLeod & Others

ダイヤ乱れ (Schedule Disruption), 2022

w = 165, d = 1.5 cm

Digital photomedia

David Schalliol

Story Poles (Solana Beach, California), 2021

50.8 x 75 x 0.5 cm (h x w x d)

Digital photography

David Schalliol

Story Poles (Del Mar, California), 2021

50.8 x 75 x 0.5 cm (h x w x d)

Digital photography

David Schalliol

Story Poles (Solana Beach, California), 2021

50.8 x 75 x 0.5 cm (h x w x d)

Digital photography

Marita Ibañez Sandoval

Mitsukaido: A Brazilian Town in Japan, 2022

100 x 127 x 0.5 cm (h x w x d)

Photomedia & Photomontage

Laya Hooshyari

How is it possible to objectify the life experiences (Perezhivanie) of people in images?, 2017

h = 75, d = 0.5 cm

Watercolor and crayon

Catherine Gough-Brady and Christine Rogers

Oak tree, gum tree: Screen collaborations across time zones, 2022

h = 100 cm

Film

Dir. Elspeth Vischer

Let Us Be Seen, 2022

w = 100 cm

Digital video

Elly Makem

Let Us Be Seen Film Poster, 2022

w = 45.7, d = 0.5 cm

Digital artwork

Marc Miller

What Fine Effect, 2022

60.9 x 45.7 x 0.5 cm (h x w x d)

GAN/Digital Model Monatge

Marc Miller

Were I a Nobleman..., 2022

60.9 x 45.7 x 0.5 cm (h x w x d)

GAN/Digital Model Montage

Marc Miller

That Venerable Old Temple, 2022

60.9 x 45.7 x 0.5 cm (h x w x d)

GAN/Digital Model Monatge

Ace Lehner

Barbershop: The Art of Queer Failure, 2019 - Ongoing

h = 135, d = 0.5 cm

Social Practice / Installation

Eric Hanscom

Shadow Play, 2021

54 x 96 x 0.5 cm (h x w x d)

Photography

Paul Lakeman

Power of Weather, 2020

96 x 54 x 0.5 cm (h x w x d)

Photography

Jon Wagner and Don Walker

With Images in Mind, 2022

300 x 169 cm (h x w)

photography, writing, music

Eric Hanscom

Extreme Close-Ups, 2021

54 x 96 x 0.5 cm (h x w x d)

Photography

Maksim Tarasov

Defamiliarising the Familiar, 2020

56 x 96 x 0.5 cm (h x w x d)

Photography

Paola Tine

The Interview, 2019

59.9 x 75 x 1 cm (h x w x d)

Oil and canvas

Paola Tine

The Exorcism, 2019

50 x 100 x 1 cm (h x w x d)

Oil, canvas, digital